Norma Shearer

Portrait of Norma Shearer and Tyrone Power in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Norma Shearer, 1920's

Portrait of Norma Shearer by George Hurrell, 1930's

Rosalind Russell and Norma Shearer in The Women directed by George Cukor, 1939

Portrait of Norma Shearer, 1920's

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell

Joan Fontaine, Norma Shearer, Rosalind Russell, Mary Boland and Paulette Goddard in The Women directed by George Cukor, 1939

Portrait of Norma Shearer for Romeo and Juliet directed by George Cukor, 1936. Photo by George Hurrell

Portrait of Norma Shearer in Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938

Portrait of Norma Shearer and Irving Thalberg by Edward Steichen, 1932

Portrait of Norma Shearer, 1920's

Lionel Barrymore and Norma Shearer in A free soul directed by Clarence Brown, 1931

Portrait of Norma Shearer by Ruth Harriet Louise, 1920's

Norma Shearer and Monte Blue in Lucretia Lombard directed by Jack Conway, 1923

Irving Thalberg and Norma Shearer, 1930's

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer in Let us be gay directed by Robert Z. Leonard and Irving Thalberg, 1930. Photo by George Hurrell

Leslie Howard and Norma Shearer in A free soul directed by Clarence Brown, 1931

Portrait of Norma Shearer by Laszlo Willinger, 1930's

Norma Shearer and Conrad Nagel in The divorcee directed by Sidney Franklin, 1928

Jean Harlow, Irving Thalberg and Norma Shearer at the May 6, 1934, wedding of actress Carmelita Geraghty and screenwriter Carey Wilson

Portrait of Norma Shearer in Strange Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell

Portrait of Norma Shearer in The Barretts of Wimpole Street directed by Sidney Franklin, 1934. Photo by William Grimes

Sid Grauman, Norma Shearer and Irving Thalberg at the Strange Interlude premiere at Grauman´s Chinese Theatre, 1932

Norma Shearer, Joan Crawford and Rosalind Russell in The Women directed by George Cukor, 1939

Norma Shearer and Robert Montgomery in Riptide directed by Edmund Goulding, gowns by Adrian, 1934. Photo by George Hurrell

Norma Shearer in Romeo and Juliet directed by George Cukor, 1936

Portrait of Leslie Howard and Norma Shearer in Romeo and Juliet directed by George Cukor, 1936

Portrait of Norma Shearer by Ruth Harriet, 1920's

Portrait of Norma Shearer in The waning sex directed by Robert Z. Leonard, 1926

Portrait of Norma Shearer by Edward Steichen, 1935

Portrait of Norma Shearer and Clark Gable in Strange Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Portrait of Norma Shearer in Riptide directed by Edmund Goulding, gowns by Adrian ,1934. Photo by George Hurrell

Clark Gable and Norma Shearer in A free soul directed by Clarence Brown, 1931

Portrait of Leslie Howard and Norma Shearer in Romeo and Juliet directed by George Cukor, 1936. Photo by George Hurrell

Portrait of Norma Shearer and Tyrone Power in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer and Tyrone Power in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Norma Shearer in The actress directed by Sidney Franklin, 1928

Portrait of Norma Shearer by Clarence Sinclair Bull, 1930's

Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938

Portrait of Norma Shearer in Strange Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Norma Shearer and Basil Rathbone in The Last of Mrs. Cheyney directed by Richard Boleslawski, 1937

Portrait of Norma Shearer for Romeo and Juliet directed by George Cukor, 1936. Photo by George Hurrell

Portrait of Norma Shearer for Riptide directed by Edmund Goulding, gowns by Adrian, 1934. Photo by George Hurrell

Portrait of Norma Shearer for Riptide directed by Edmund Goulding, gowns by Adrian, 1934. Photo by George Hurrell

Marie Dressler, Norma Shearer and Rod La Rocque in Let us be gay directed by Robert Z. Leonard and Irving Thalberg, 1930

Portrait of Norma Shearer by Edward Steichen, 1932

Norma Shearer, Ramon Navarro and Jean Hersholt in The student prince of old Heidelberg directed by Ernst Lubitsch, 1927

Portrait of Leslie Howard and Norma Shearer on the set of Romeo and Juliet directed by George Cukor, 1936. Photo by Durward Graybill

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938

Portrait of Norma Shearer in Riptide directed by Edmund Goulding, gowns by Adrian ,1934. Photo by George Hurrell

Norma Shearer and Clark Gable in Strange Interlude directed by Robert Z. Leonard, 1932

Portrait of Norma Shearer in Strangers May Kiss directed by George Fitzmaurice, 1931. Photo by George Hurrell

Portrait of Norma Shearer and Clark Gable in Idiot's Delight directed by Clarence Brown, 1939

Portrait of Norma Shearer by George Hurrell, 1932

Portrait of Norma Shearer in Strangers May Kiss directed by George Fitzmaurice, 1931. Photo by George Hurrell

Norma Shearer Fitting in the Gilbert Adrian's studio by Clarence Sinclair Bull, 1930's

Portrait of Norma Shearer and Clark Gable in Idiot's Delight directed by Clarence Brown, 1939

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell

Director Robrert Z. Leonard, Lowell Sherman and Norma shearer on the set of A lady of chance, 1928

Portrait of Norma Shearer by George Hurrell, 1936

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer by George Hurrell, 1930's

Norma Shearer and Conrad Nagel in The divorcee directed by Sidney Franklin, 1928

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer and Clark Gable in Idiot's Delight directed by Clarence Brown, 1939. Photo by Laszlo Willinger

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938. Portrait by Laszlo Willinger

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer by George Hurrell, 1936

Rosalind Russell, Mary Boland, Norma Shearer and Joan Fontaine in The Women directed by George Cukor, 1939

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Leslie Howard and Norma Shearer on the set of Romeo and Juliet directed by George Cukor, 1936. Photo by Durward Graybill

Portrait of Norma Shearer in Romeo and Juliet directed by George Cukor, 1936

Portrait of Norma Shearer by Laszlo Willinger, 1938

Portrait of Norma Shearer in He Who Gets Slapped directed by Victor Sjöström, 1924

Portrait of Norma Shearer and Clark Gable in Idiot's Delight directed by Clarence Brown, 1939

Portrait of Norma Shearer by Kenneth Alexander, 1920's

Portrait of Norma Shearer in A slave of fashion directed by Hobart Henley, 1925

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer, 1920's

Leslie Howard and Norma Shearer in A free soul directed by Clarence Brown, 1931

Norma Shearer for The divorcee directed by Robert Z. Leonard, 1930

Portrait of Norma Shearer and Robert Taylor in Escape directed by Mervyn LeRoy 1940. Photo by Clarence Sinclair Bulll

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer by George Hurrell, 1930's

Norma Shearer and Robert Montgomery in Riptide directed by Edmund Goulding, gowns by Adrian, 1934. Photo by George Hurrell

Portrait of Norma Shearer for After Midnight directed by Tod Browing, 1927

Norma Shearer and Robert Montgomery in Riptide directed by Edmund Goulding, gowns by Adrian, 1934

Portrait of Norma Shearer, 1920's

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938. Portrait by Laszlo Willinger

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938. Portrait by Laszlo Willinger

Portrait of Leslie Howard and Norma Shearer in Romeo and Juliet directed by George Cukor, 1936

Norma Shearer in After midnight directed by Monta Bell, 1927

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938

Portrait of Norma Shearer by Ruth Harriet Louise, 1930's

Portrait of Norma Shearer for The divorcee directed by Robert Z. Leonard, 1930

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer by George Hurrell, 1938

Portrait of Norma Shearer in Strangers Nay Kiss directed by George Fitzmaurice, 1931

Portrait of Norma Shearer in Riptide directed by Edmund Goulding, gowns by Adrian ,1934. Photo by George Hurrell

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Leslie Howard and Norma Shearer in Romeo and Juliet directed by George Cukor, 1936

Alexander Kirkland and Norma Shearer in Strange Interlude directed by Robert Z. Leonard, 1932

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer in The Barretts of Wimpole Street directed by Sidney Franklin, 1934. Photo by Clarence Sinclair Bull

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer and Tyrone Power in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer in Let us be gay directed by Robert Z. Leonard and Irving Thalberg, 1930. Photo by George Hurrell

Irving Thalberg and Norma Shearer, 1930's

Portrait of Norma Shearer and Tyrone Power in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer by George Hurrell, 1930's

Norma Shearer in Smilin' Through directed by Sidney Franklin, 1932. Photo by Milton Brown

Portrait of Norma Shearer by George Hurrell, 1934

Portrait of Norma Shearer in Riptide directed by Edmund Goulding, gowns by Adrian ,1934. Photo by George Hurrell

Portrait of Norma Shearer by Alfred Cheney Johnston, 1920

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer by Rolf Armstrong, 1930's

Portrait of Norma Shearer by George Hurrell, 1932

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer in Strange Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Portrait of Norma Shearer for He Who Gets Slapped directed by Victor Sjöström, 1924

Portrait of Norma Shearer in Strangers May Kiss directed by George Fitzmaurice, 1931. Photo by George Hurrell

Portrait of Norma Shearer and Basil Rathbone in The Last of Mrs. Cheyney directed by Richard Boleslawski, 1937

Portrait of Norma Shearer by George Hurrell, 1930's

Norma Shearer in Lady of the night directed by Monta Bell, 1925

Portrait of Norma Shearer, 1920's

Portrait of Norma Shearer in Riptide directed by Edmund Goulding, gowns by Adrian,1934. Photo by Clarence Sinclair Bull

Norma Shearer for The divorcee directed by Robert Z. Leonard, 1930

Portrait of Norma Shearer by Edward Steichen, Vanity Fair, October 1928

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer for Riptide directed by Edmund Goulding, gowns by Adrian, 1934. Photo by George Hurrell

Portrait of Norma Shearer and Herbert Marshall for Riptide directed by Edmund Goulding, 1934. Photo by George Hurrell

Portrait of Norma Shearer by Nickolas Muray, 1925

Portrait of Norma Shearer in Strange Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Portrait of Norma Shearer by Cecil Beaton, Vanity Fair, September 1930

Portrait of Norma Shearer by George Hurrell, 1934

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938. Portrait by Laszlo Willinger

Portrait of Norma Shearer in The Barretts of Wimpole Street directed by Sidney Franklin, 1934. Photo by George Hurrell

Portrait of Norma Shearer, 1920's

Irving Thalberg and Norma Shearer, New York, city 1931

Portrait of Norma Shearer and Tyrone Power in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer by Ruth Harriet Louise, 1920's

Portrait of Norma Shearer by George Hurrell, 1936

Portrait of Norma Shearer in Marie Antoinette directed by W.S. Van Dyke, gowns by Adrian, 1938

Norma Shearer and Robert Montgomery in Riptide directed by Edmund Goulding, gowns by Adrian, 1934. Photo by George Hurrell

Portrait of Norma Shearer in Smilin' Through directed by Sidney Franklin, 1932. Photo by George Hurrell

Portrait of Norma Shearer by Edward Steichen, 1930's

Portrait of Norma Shearer and Tyrone Power in Marie Antoinette directed by W.S. Van Dyke, 1938. Photo by Laszlo Willinger

Portrait of Norma Shearer in The Barretts of Wimpole Street directed by Sidney Franklin, 1934. Photo by Clarence Sinclair Bull

Portrait of Norma Shearer by George Hurrell, 1936

Portrait of Norma Shearer in Strange Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell

Portrait of Norma Shearer in Strangers May Kiss directed by George Fitzmaurice, 1931. Photo by George Hurrell

Portrait of Norma Shearer by Laszlo Willinger, 1938

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer in The Barretts of Wimpole Street directed by Sidney Franklin, 1934. Photo by Clarence Sinclair Bull

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell

Portrait of Norma Shearer by George Hurrell, 1934

Portrait of Norma Shearer in Romeo and Juliet directed by George Cukor, 1936

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell

Portrait of Norma Shearer in Riptide directed by Edmund Goulding, gowns by Adrian, 1934. Photo by Clarence Sinclair Bull

Portrait of Norma Shearer for Romeo and Juliet directed by George Cukor, 1936. Photo by George Hurrell

Portrait of Norma Shearer by George Hurrell, 1930's

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer in Strange Interlude directed by Robert Z. Leonard, 1932. Photo by George Hurrell

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer, 1930's

Portrait of Norma Shearer, 1924

Portrait of Norma Shearer by Ruth Harriet Louise, 1920's

Portrait of Norma Shearer in The Divorcee directed by Robert Z. Leonard, costume design by Adrian, 1930. Photo by George Hurrell